Volunteer tourism: The ultimate authentic experience.
Author: Katherine Knoff
4 Commentries
Volunteer tourism: The ultimate authentic experience.
Who makes the tourism experience in the 21st century?
This conference paper will seek to explore the cultural and social dimensions of the 21st century and by this it will include motivations of being a volunteer tourist and if this is the ultimate authentic experience. Furthermore, authenticity in relation to tourism will be discussed.
Authenticity was originally used in relation to museum and human existence and there is several authors who has defined the meaning of authenticity amongst one of them there is Ning Wang, (2000) which defines authenticity as :
“where persons expert in such matters test whether objects of art are what they appear to be or are claimed to be, and therefore worth the price that is asked for them-or, if this has already been paid, worth the admiration they are being given,” (1972:93; Wang, 2000).
The rapid growth of volunteer tourism has lead to many young British people, especially in the age between 18-25 wish to take a gap year to travel to seek the ultimate authentic experience and to develop their own skills and self as they are contributing to local communities.
Authenticity in relation to tourism has been linked to ethnic, historical and cultural tourism as well as volunteer tourism as all of these types involves some kind of presentation or representation of the past. However, there are many ways to approach authenticity within the concept of tourism and ‘volunteerism’, the essential part is; the search for the real thing (Wang, 2000).
As volunteer tourism has its history back to the 19th century, it has developed rapidly in the 20th century and has become some sort of mass-tourism.
In the 19th century people traveled as missionaries and pilgrims to curb the explicit class divisions in the society.
Furthermore in the late 20th century there was a significant growth of the volunteer sector and international tourism, as well as mass tourism was growing with a huge and fast rate.
Volunteer tourism can be categorised into different groups such as: alternative tourism, international volunteer tourism, social work and conservation corps work, (Wearing, 2001).
MacCannell (1976; 1994) claimed that the tourist has become a metaphor for shallowness and inauthenticity which means that the tourists are on a modern quest in search for authenticity. This theory concludes with the statement that the tourist seeks to go behind the staged authenticity in order to reach the reality. This can again be associated with what Volunteer tourists tempt to do.
Authenticity can also be related to heritage, ethnic and cultural tourism. Choen (1988) and Wang (1999) summarised some of the sociological approaches of the authenticity in tourism and two most popular themes are commodification (also known as ‘commodization’) and staged authenticity. Tourism seeks to promote the authentic experiences, but also commodify cultural assets to make it market the products as consumable. Rituals, ethnic art and local culture often tend to change the meaning by being modified just to suit the tastes of the tourists, which leads to loss of the authenticity as a local and cultural product. The constant pressure of supplying cultural tourist experiences can lead to staged productions which again can appear to be manipulated.
‘Volunteerism’ appears to be associated with backpacker tourist as the backpackers also travels in search for the greater authenticity.
The key motivation for volunteer tourism is the desire to go on a holiday with a difference and at the same time give something back to a community.
To conclude; by looking at the reasons for motivation for volunteers to travel and work, the main arguments were as follows; experience something different and new, desire to travel, learn more about cultures, interact with local people, one in a lifetime opportunity and authentic experience.
There is also negative impacts within the travel industry such as; the visitor experience can be affected by staged authenticity e.g. events that are being staged and has little or no relevance to the culture at the host community, (Cooper et.al. 2008).
There has been question of: “who determinates what an authentic experience is?” Truth is, that it is personal because it can be experienced by different tourists, not only volunteer tourists but ‘ancestral tourists’ also seeks an authentic and real experience as well as the volunteer tourists, but the ancestral tourists differ because they are seeking their own ancestry and family history. The common circumstances the ancestral tourist and the volunteer tourist share that they are both going on a personal journey, but the ancestral tourist may often be more individualistic (Novelli, 2005).
Key references:
Cooper, et.al.4th ed (2008) Tourism, principles and practice. Essex: Pearson Educated Limited.
MacCannell, D The tourist. (1999) London: University of California Press Ltd.
Novelli, M (2005) Niche Tourism, Contemporary issues, trends and cases. London: Elsevier
Who makes the tourism experience in the 21st century?
This conference paper will seek to explore the cultural and social dimensions of the 21st century and by this it will include motivations of being a volunteer tourist and if this is the ultimate authentic experience. Furthermore, authenticity in relation to tourism will be discussed.
Authenticity was originally used in relation to museum and human existence and there is several authors who has defined the meaning of authenticity amongst one of them there is Ning Wang, (2000) which defines authenticity as :
“where persons expert in such matters test whether objects of art are what they appear to be or are claimed to be, and therefore worth the price that is asked for them-or, if this has already been paid, worth the admiration they are being given,” (1972:93; Wang, 2000).
The rapid growth of volunteer tourism has lead to many young British people, especially in the age between 18-25 wish to take a gap year to travel to seek the ultimate authentic experience and to develop their own skills and self as they are contributing to local communities.
Authenticity in relation to tourism has been linked to ethnic, historical and cultural tourism as well as volunteer tourism as all of these types involves some kind of presentation or representation of the past. However, there are many ways to approach authenticity within the concept of tourism and ‘volunteerism’, the essential part is; the search for the real thing (Wang, 2000).
As volunteer tourism has its history back to the 19th century, it has developed rapidly in the 20th century and has become some sort of mass-tourism.
In the 19th century people traveled as missionaries and pilgrims to curb the explicit class divisions in the society.
Furthermore in the late 20th century there was a significant growth of the volunteer sector and international tourism, as well as mass tourism was growing with a huge and fast rate.
Volunteer tourism can be categorised into different groups such as: alternative tourism, international volunteer tourism, social work and conservation corps work, (Wearing, 2001).
MacCannell (1976; 1994) claimed that the tourist has become a metaphor for shallowness and inauthenticity which means that the tourists are on a modern quest in search for authenticity. This theory concludes with the statement that the tourist seeks to go behind the staged authenticity in order to reach the reality. This can again be associated with what Volunteer tourists tempt to do.
Authenticity can also be related to heritage, ethnic and cultural tourism. Choen (1988) and Wang (1999) summarised some of the sociological approaches of the authenticity in tourism and two most popular themes are commodification (also known as ‘commodization’) and staged authenticity. Tourism seeks to promote the authentic experiences, but also commodify cultural assets to make it market the products as consumable. Rituals, ethnic art and local culture often tend to change the meaning by being modified just to suit the tastes of the tourists, which leads to loss of the authenticity as a local and cultural product. The constant pressure of supplying cultural tourist experiences can lead to staged productions which again can appear to be manipulated.
‘Volunteerism’ appears to be associated with backpacker tourist as the backpackers also travels in search for the greater authenticity.
The key motivation for volunteer tourism is the desire to go on a holiday with a difference and at the same time give something back to a community.
To conclude; by looking at the reasons for motivation for volunteers to travel and work, the main arguments were as follows; experience something different and new, desire to travel, learn more about cultures, interact with local people, one in a lifetime opportunity and authentic experience.
There is also negative impacts within the travel industry such as; the visitor experience can be affected by staged authenticity e.g. events that are being staged and has little or no relevance to the culture at the host community, (Cooper et.al. 2008).
There has been question of: “who determinates what an authentic experience is?” Truth is, that it is personal because it can be experienced by different tourists, not only volunteer tourists but ‘ancestral tourists’ also seeks an authentic and real experience as well as the volunteer tourists, but the ancestral tourists differ because they are seeking their own ancestry and family history. The common circumstances the ancestral tourist and the volunteer tourist share that they are both going on a personal journey, but the ancestral tourist may often be more individualistic (Novelli, 2005).
Key references:
Cooper, et.al.4th ed (2008) Tourism, principles and practice. Essex: Pearson Educated Limited.
MacCannell, D The tourist. (1999) London: University of California Press Ltd.
Novelli, M (2005) Niche Tourism, Contemporary issues, trends and cases. London: Elsevier